Tomorrow I begin my evening Law classes again at the University of Brasilia, after a two-year hiatus. On top of my demanding full-time job, work trips, language institute, farm and tree plantation, and lovely family, my schedule is a bit tight.
But I’m enjoying my Mandarin experiment immensely and there is no way I’m going to stop. I don’t even want to slow down. I intend to keep up my average 45 minutes per day.
Trying to fit so much into one’s day may reflect some underlying existential dilemma (actually, I’m pretty sure it does in my case), but it also takes planning, discipline, and creativity. No time can be wasted. That includes time behind the wheel. Fortunately, I don’t have a long commute, but driving to work and back twice a day and taking my daughter to the gym and school takes up a total of nearly one hour a day. On weekends, I spend at the very least three hours driving to get to my farm and then back to Brasilia.
When traffic permits (safety first, folks), I have been using that time to make hands-free calls (probably not the best idea), listen to spiritual music and talks, mentally plan projects for my language institute, and more recently listen to French radio broadcasts.
This imperative of efficiency has led me to make a significant change in my Mandarin experiment. I have increasingly incorporated listening to music into my “studies.” I have listened to music since early in my experiment, but initially only as it appeared in the videos I was watching anyway: mostly dubbed Disney movies, but also Boonie Bears and Qiao Hu.
I transitioned to using music as a deliberate learning tool when in June of last year I began repeating the video segment of Nan Zi Han (Make a Man Out of You) in the Chinese dub of Mulan, attempting to decipher and memorize the syllables. I made some progress, but it was extremely slow and I put that mini subproject on the backburner.
This year, I took up the Boonie Bears intro song, which is much shorter, and set out to learn it. That is when I started listening in the car for the sake of efficiency. I found that repeating single lines over and over again—sometimes actually turning the music off to better focus on memorizing lines—was at least as effective as watching the video endlessly. I found I was making good use of my time and advancing my learning process. I learned the entire song and made the infamous video of my daughter and me singing and dancing.
I then returned to Nan Zi Han, and I am slowly learning it, mostly while driving. Stay tuned for a much sillier home video, coming soon.
In the meantime, I chanced upon an awesome little album of Chinese children’s songs with a electronica accompaniment. It’s Little Dragon Tales by the Shanghai Restoration Project. I downloaded the album, which came with a pdf file that included the lyrics—in Chinese characters, pinyin, and English translation. The temptation was too great. Not only that—I’m fully convinced that using music for language acquisition is much more effective when one actually learns the lyrics. So I began peaking.
I now listen to Little Dragon Tales, the Boonie Bears song, and Nan Zi Han while driving. Obviously, this is exclusively oral (and mental). However, occasionally I will spend two or five minutes studying the lyrics to these songs (at zero miles per hour—no worries) to be sure I am getting the syllables more or less right, and that I have a general sense of the meaning of what I am singing.
So far, just 20 out of my 300 hours have been used for listening to music, but that proportion will increase over time. All told, approximately three of those hours have been spent while accessing the lyrics.
I have updated my Hypothesis and Methodology pages to include listening to music, which I had not thought of when I started my experiment. I am tracking the time I spend with music as carefully as my video-viewing time. When assessing my results at the end of this experiment, I will certainly take into account the use of music as well as the videos.
In sum, practical considerations, especially the imperative of efficiency, have trumped methodological purism and rigid attachment to rules. However, I believe listening to Chinese music is fully in the spirit of my experiment, even if critics will undoubtedly pounce on my use of lyrics (even though it accounts for 1% of my experiment time) to question its credibility.